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💸 You Ain’t Broke – You Just Don’t Know Where the Money Lives

🔗 [Download the “Before You Sign” Ebook]

By KingPaySos

🔗 [Get the Free Royalty Checklist]

🎤 Real Talk:

Every stream. Every spin. Every stage moment.

That could all be money in your pocket. But most independent artists never collect it — not because they’re lazy, but because nobody told them how.

This post is your wake-up call and your cheat code.

Let’s break down the 6 royalty streams every artist should be tapping into right now — or else you leaving real money on the table.

🧾 1. Performance Royalties (ASCAP / BMI / SESAC)

When your music gets played in clubs, concerts, radio, or TV — you’re owed money.

These are performance royalties, and you collect them by registering with a Performing Rights Organization (PRO).

What to do:

Sign up with ASCAP, BMI, or SESAC

-Register every song

-Add yourself as both writer and publisher

💬 “No registration = no recognition = no compensation.”

💽 2. Mechanical Royalties (MLC & Songtrust)

Every time your song is streamed or downloaded — mechanical royalties are generated. But platforms like Spotify or Apple Music don’t pay YOU directly. That’s where MLC and Songtrust come in.

What to do:

Register with The MLC (it’s free)

-Use Songtrust to collect worldwide royalties

-Don’t rely on DistroKid/TuneCore to collect everything

🎙️ 3. Digital Streaming Royalties (from Distributors)

Your distributor (DistroKid, TuneCore, UnitedMasters, Equity, etc.) pays you for streams on platforms like Spotify, Apple Music, Tidal.

What to do:

-Make sure all your song info (metadata) is correct

-Always include your ISRC code (International Standard Recording Code)

-Track payments — don’t assume it’s all getting to you

🔊 4. Sound Recording Royalties (SoundExchange)

When your music is played on digital radio (like Pandora, SiriusXM, internet radio), you’re owed non-interactive streaming royalties.

What to do:

Create an account on SoundExchange

-Register your tracks

-Collect as both the featured artist and the rights holder

💬 “SoundExchange collects money your PRO can’t touch. Don’t miss that bag.”

🎥 5. YouTube Monetization (Content ID)

If your song is being used in YouTube videos — even if YOU didn’t post them — you could be earning.

What to do:

Join a distributor or rights manager that uses Content ID

-Or use Songtrust/CD Baby Pro to monitor usage

-Monetize your own YouTube uploads with ads and licensing

📀 6. Sync Licensing (TV, Film, Ads, Games)

Your music can be licensed to brands, film directors, video games, and more. This is one of the biggest bags — but you need to be searchable and legally ready.

What to do:

-Keep your beats and vocals 100% original

-Have split sheets signed

-Submit to sync libraries (Artlist, MusicBed, etc.)

🧠 Final Word from Sos:

“You ain’t broke. You just don’t know how to collect what you’re owed.

Stacc or starve. Build the business behind the bars.”

📥 Tools to Get You Started:

[Download the Free Royalty Checklist] 📘 [Grab your free copy of “Before You Sign: The Real Deal” Ebook]

📲 Follow me @itskingpaysos for more game weekly

Related Reads:

How to Get Paid for Live Performances

Intellectual Property for Artists

The 6-Step Owner Artist Checklist


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